Serendipitous Encounters

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It’s very difficult to know how, or even if, a story will affect you.

We think we know what we like and why we like it, but a lot of the time we actually don’t. Sometimes you pick up something you think you will like, something that you should like, and it leaves little to no impression on you. Perhaps you even dislike it! By all accounts, I should love Game of Thrones. It has high fantasy, political intrigue, complex characters, and dragons. And yet I have never warmed up to it. Other times you pick up something on a lark and are surprised to find out much it moves you, how deeply it sinks into your psyche and plays upon your heartstrings. How was I to know that tagging along with my friends to the theater on May 4, 2012 would send me careening head-first into the world of Marvel comics and superheroes?

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Nothing Wasted

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Image by John Hain on Pixabay

Since making my declaration about getting back into The Mariner Sequence, specifically Ravens and Roses, I haven’t actually written anything. And yet I feel like my mind is more in “writer mode” than it has been in a while.

Looking back over the last two weeks, it doesn’t seem like I’ve been writing, yet two morning walks spent talking to myself have solved some major plot problems that had troubled me for years. It just goes to show that, while a writer may not always be putting words on a page, when we have a goal in mind, we can feed everything we do into the compost of our subconscious and see what happens. It’s a weird and diverse process, one that is nonlinear and sporadic. Many of the things don’t seem to relate to writing. After all, what do the following contribute to the writing process?

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Passing Judgment, Part 2: Readers, Viewers & Fandom

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There have been several instances lately of works of art and media being torn down or otherwise endangered because of association with an artist who did or said something negative. I’ve decided to explore this issue in two parts, first looking at the production side with those who create or perform the media, and then looking at the consumers of that media, a.k.a. fandoms.

Background image by TPHeinz on Pixabay

While there have been many news stories about artists being slammed for their personal views or lives that had a negative impact on the work itself, there is another just as insidious and pervasive negativity radiating from the opposite end of the spectrum. I’m talking about the consumers of media: the readers, viewers, and fans.

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Passing Judgment, Part 1: Artist, Actor & Creator

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There have been several instances lately of works of art and media being torn down or otherwise endangered because of association with an artist who did or said something negative. I’ve decided to explore this issue in two parts, first looking at the production side with those who create or perform the media, and then looking at the consumers of that media, a.k.a. fandoms.

Background image by TPHeinz on Pixabay

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Hard Copy

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My brother Daniel had to do a sanity check while I was perusing Ebay: “Sis, are you sure you want to buy that? I mean, you did get to watch it online already… Are you going to ever watch it again?”

The item in question was a new DVD copy of an anime from 1996 called Master of Mosquiton. It’s an OVA with only 6 episodes and the price was about $70. And Daniel’s question made me pause. It’s true that I did find an English dub online, although it took several very frustrating hours to find all six episodes in full and in English. Why was I considering spending so much money on something I had already found for free?

That got me thinking about hard copies and why I am so dedicated to filling up my home with tangible media. Why take up all this space with row after row of books when I could keep an entire library on an e-reader? Why spend $20 to get a Blu-ray or DVD when I could stream them on Netflix or Hulu or Amazon Prime? As digital storage gets cheaper and cheaper, and the number and quality of online streaming continues to rise (not to mention the ubiquitous Cloud), why spend valuable resources collecting and maintaining hard copies?

Three reasons: Availability, Preservation, and Tangibility.

Photo by Janko Ferlic on Pexels

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Comparing Beliefs

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Belief is a funny thing. It’s a word that gets tossed around in a lot of discussions, debates, and outright arguments without ever being properly defined. Granted, the idea of belief is a slippery concept to begin with, especially since it is so easily personalized and adapted to fit almost any mindset. In onset of the holiday season, combined with my recent read of The Skeptic’s Guide to the Universe and rewatching Terry Pratchett’s Hogfather, got me thinking about the nature of belief and its place in stories.

As someone who is trying to be a good skeptic and humanist, I’ve developed a weird, slightly uncomfortable relationship with stories about the importance of belief. I read and watch a lot of stories that emphasize how important it is to believe in something fantastic, even if there doesn’t seem to be a good reason or at least nothing solid. Thanks to films like Toy Story, I sometimes feel a twinge of guilt for not playing with my Barbies, dinosaurs, Hot Wheels cars, and My Little Ponies anymore, but I still won’t donate them. I feel like I’d be giving up on them, or that they would feel sad (never mind the fact that they’d probably prefer to be played with!) Dream a Little Dream by Piers Anthony and the film version of The Neverending Story feature worlds and characters whose very existence depends on being believed in by real people, especially children. If that belief fails, they don’t just die… they cease to exist. Being forgotten is worse than death. For someone with a highly active imagination, I think stories like this compounded a bunch of my weird neuroses (which thankfully got used to fuel writing rather than sending me to the loony bin. Although that could still happen…)

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Dangerous Stereotypes: Rebels

I’m going to tackle some stereotypes present in modern fiction that I think are dangerous when used irresponsibly.  Any entries part of this series will be labeled as “Dangerous Stereotypes.” You can read previous entries in this series, which discuss the ScientistBad Boy, and Alpha Male stereotypes.

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We all love stories about underdogs. We like hearing tales of right and justice and the forces of good beating evil and injustice, no matter what the odds are against them. We like stories about lone wolves who find out the truth about “the system” and fight against it. We love our Rebel Alliances, our Neos, our Team Avatars. We enjoy following the stories of characters who are outgunned but still pull through with cunning, bravery, and a hefty dose of luck. We admire the vigilante characters like Batman, Zorro, and V who uncover the truth or see injustice run rampant and refuse to follow protocol in order to do what is right. We’ve all read those stories, seen those movies and TV shows, played as those video game characters. The fact that we can be outmatched and still come out on top is a heady, even addictive, feeling.

But real life usually doesn’t work out that way.

And sometimes… it shouldn’t.
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Grim and Grandiose: The Gothic Novel

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For the last few weeks, I’ve been living in the world of Jane Austen. As of today I have read all of her novels except for Emma, which I’m about halfway through. She is not my favorite 19th century author (that distinction goes to Charlotte Brontë), but I’ve developed a greater appreciation for the literary mastery and elegance of craft that her work exhibits.

However, I will admit that I prefer seeing the film adaptations of her novels, particularly the ones with the screenplay written by Andrew Davies: Pride and Prejudice (1995) with Colin Firth and Jennifer Ehle as Mr. Darcy and Elizabeth Bennet, Northanger Abbey (2007) with J.J. Feild and Felicity Jones as Henry Tilney and Catherine Morland, and Sense & Sensibility (2008) with Hattie Morahan and Charity Wakefield as Elinor and Marianne Dashwood. Right now I’m just a little bit obsessed with Northanger Abbey (and yes, I am totally blaming that on J.J. Feild’s Mr. Tilney.)

An interesting side effect of that obsession was exposure to an area of literature that I had left virtually unexplored up until this point: traditional Gothic novels.
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The Wyrding Way

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Wyrd: a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny.

Wikipedia

 

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Anglo-Saxon symbol for “wyrd”

Few lines make my hackles rise more than hearing, “It is your destiny,” particularly if it is said by some old guy in a black robe. I have some serious issues with the concepts of prophecy, destiny, fate, and Chosen Ones. From a practical standpoint, they are overused tropes and cliches in works of fantasy. Predestination is a lazy cock-and-bull story made to justify plot threads or character motivations. But on a deeper level, the concept is actually rather disturbing. I’m a big believer in free will, so the idea of having everything I have done, am doing, or will do laid out for me with no ability to change it is both creepy and frightening.
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The Power of Headcanon

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I recently went to see Black Panther with some friends, and if you haven’t gone yet, you need to reevaluate your priorities because it’s fantastic. *ahem* Anyway… as we were leaving the theater, one friend noted that during the very emotional scenes between T’Challa and his father T’Chaka on the Ancestral Plane, they noticed that T’Chaka had an old (but still very obvious) facial injury.** Since the characters were interacting in a spiritual realm, my friend wondered why this injury was still present since spirits don’t have physical bodies and therefore wouldn’t have those imperfections. Almost immediately, I commented that a person probably couldn’t spend years as King of Wakanda and as the Black Panther without suffering some kind of accumulated spiritual damage, which then manifested on the Ancestral Plane. My friends just kind of stared at me and said that I had “the strongest headcanon of anyone they’d met.”

You see, while that explanation for T’Chaka’s appearance in the Ancestral Plane seemed perfectly reasonable to me, there was nothing in the movie itself to suggest that was the case. My internal headcanon had pulled from all my fictional sources and compiled them into an explanation. Actually, I’d come up with two possible explanations on the spot, one being the accumulated damage from a life of service and suffering. The other was that it was simply T’Challa’s perception of the spirit, giving it a familiar face. Kind of like how Anakin Skywalker’s Force-ghost appeared at the end of Return of the Jedi as a forty-something man rather than as his twenty-year-old self, who would have been completely unfamiliar to Luke. (No, I do not accept the insertion of Hayden Christensen into the remastered editions of Star Wars. There’s some headcanon for you!) Both of these plausible explanations occurred to me within seconds of my friend’s question, and I hadn’t even noticed until they pointed it out.
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