Overlapping & Long-Running Stories: Where’s The Entry Point?

This entry is part of the “Spoiled By Supplements” blog series.

Every story has a beginning, middle, and end.

Or do they?

Stories are carefully crafted illusions that are supposed to make sense in a way that life does not. Most of the time it’s a simple matter of picking up the book, popping in the DVD, or opening up the comic to start the story. You follow it all the way through to the end, and you’re done (at least until the sequel comes out). However, there are some stories and mediums where the lines are blurred and the entry point for the story is not nearly as obvious. The prime example I can think of is comics.

I’m still pretty new to the world of comics and graphic novels, and they can be really hard to get into. I remember after watching the Marvel film Doctor Strange, I wanted to learn more about the character. But when I went to look up the comics, I immediately faced a major problem: where should I start?

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Muddled Multimedia Narratives: Where and How Can We Access the Story?

Welcome back everyone! Sorry it took so long to get this next entry to you. I’d gotten really into working on Ravens & Roses during the original day this entry was supposed to be done and didn’t want to derail myself. Then life threw me a family health emergency curveball during the follow-up date, so I’ve been handling that instead of writing. Things are finally calming down and everything is fine, so here we are with the next installment of my “Spoiled By Supplements” blog series. Enjoy!

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I think that, once a story gets big enough, it’s inevitable that it will start to creep across mediums. Some of that may be due to creative curiosity, to see what kind of take on the story will come out of the medium. Some of it may be from commercial pressure to reach a wider audience or different niches within a potential audience. There isn’t anything inherently wrong with that. A feature length film has different creative restraints from a novel, which is different from a comic book, and so on. It can be interesting to see how the medium shapes or highlights different aspects of a story or further explores the world within that story. It also makes marketing sense to try to reach as many people as possible, and everyone has different mediums they prefer their stories to be in, so why not satisfy everyone?

The problem is that sometimes it can become too sprawling, too widespread, and too muddled for anyone to follow the story properly, or even access it. This can be a real problem for new or more casual fans.

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Caught Between Worlds

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Once again, I find myself in an odd position where I have too many different fictional universes filling my brain, none of which is dominant enough to drive out the others and leave a clear path for inspiration.

I just finished reading the anthropological science fiction Foreigner series by C. J. Cherryh, so my brain is filled with alien politics and the awesomeness that is Bren Cameron.
I just finished watching The Dark Crystal: Age of Resistance television series on Netflix, so my brain is filled with magic and fairy-folk and my YA novel Faylinn.
I’m currently participating in the writing challenge Story A Day, so my brain is trying to stay on task with writing and reading short stories, which is not my native element.
National Novel Writing Month is coming and I just got in my Page One notebook from Write Gear, which I want to use to get ready to work on an urban fantasy novel (which I think I’m going to set in Portland, Oregon because I’m sick of hearing about New York City and Chicago).
Ravens and Roses is back to lurking in the rear of my brain again, but it turns out that having “just a few scenes left to write” was a massive underestimation and I’ve got a ton of military research to do before I’m ready to tackle the rest of it.
Good Omens from Amazon Prime STILL has its demonic/angelic claws sunk deep into my psyche and it is going to take a massive amount of willpower not to watch it during NaNoWriMo because it’s being released on DVD and Blu-Ray early this November and like a fool I already preordered it… I’m doomed, aren’t I?
As a side effect of David Tennant’s presence in Good Omens, I have a powerful hankering for Shakespeare productions that feature him. (I’ve seen his Hamlet and now I’ve got Richard II, Much Ado About Nothing, and Shakespeare Uncovered lined up. Not Doctor Who because I cannot take having my heart ripped out by Ten’s regeneration again. I just can’t.)
I’m also still trying to get and keep regular life in order, which includes better incorporation of exercise and some serious calorie counting to bring my weight (and hopefully depression) back under control.

So, as you can see, I don’t know what (if anything) I’m going to get done, which is a little concerning with NaNoWriMo on the horizon… I do have a little time, so we’ll see how things go. (But seriously, I cannot wait for my upcoming week of vacation. Kat desperately needs a recharge before winter hits.)

Til next time…

Serendipitous Encounters

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It’s very difficult to know how, or even if, a story will affect you.

We think we know what we like and why we like it, but a lot of the time we actually don’t. Sometimes you pick up something you think you will like, something that you should like, and it leaves little to no impression on you. Perhaps you even dislike it! By all accounts, I should love Game of Thrones. It has high fantasy, political intrigue, complex characters, and dragons. And yet I have never warmed up to it. Other times you pick up something on a lark and are surprised to find out much it moves you, how deeply it sinks into your psyche and plays upon your heartstrings. How was I to know that tagging along with my friends to the theater on May 4, 2012 would send me careening head-first into the world of Marvel comics and superheroes?

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Nothing Wasted

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Since making my declaration about getting back into The Mariner Sequence, specifically Ravens and Roses, I haven’t actually written anything. And yet I feel like my mind is more in “writer mode” than it has been in a while.

Looking back over the last two weeks, it doesn’t seem like I’ve been writing, yet two morning walks spent talking to myself have solved some major plot problems that had troubled me for years. It just goes to show that, while a writer may not always be putting words on a page, when we have a goal in mind, we can feed everything we do into the compost of our subconscious and see what happens. It’s a weird and diverse process, one that is nonlinear and sporadic. Many of the things don’t seem to relate to writing. After all, what do the following contribute to the writing process?

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Passing Judgment, Part 2: Readers, Viewers & Fandom

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There have been several instances lately of works of art and media being torn down or otherwise endangered because of association with an artist who did or said something negative. I’ve decided to explore this issue in two parts, first looking at the production side with those who create or perform the media, and then looking at the consumers of that media, a.k.a. fandoms.

While there have been many news stories about artists being slammed for their personal views or lives that had a negative impact on the work itself, there is another just as insidious and pervasive negativity radiating from the opposite end of the spectrum. I’m talking about the consumers of media: the readers, viewers, and fans.

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Passing Judgment, Part 1: Artist, Actor & Creator

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Hard Copy

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My brother Daniel had to do a sanity check while I was perusing Ebay: “Sis, are you sure you want to buy that? I mean, you did get to watch it online already… Are you going to ever watch it again?”

The item in question was a new DVD copy of an anime from 1996 called Master of Mosquiton. It’s an OVA with only 6 episodes and the price was about $70. And Daniel’s question made me pause. It’s true that I did find an English dub online, although it took several very frustrating hours to find all six episodes in full and in English. Why was I considering spending so much money on something I had already found for free?

That got me thinking about hard copies and why I am so dedicated to filling up my home with tangible media. Why take up all this space with row after row of books when I could keep an entire library on an e-reader? Why spend $20 to get a Blu-ray or DVD when I could stream them on Netflix or Hulu or Amazon Prime? As digital storage gets cheaper and cheaper, and the number and quality of online streaming continues to rise (not to mention the ubiquitous Cloud), why spend valuable resources collecting and maintaining hard copies?

Three reasons: Availability, Preservation, and Tangibility.

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Comparing Beliefs

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Belief is a funny thing. It’s a word that gets tossed around in a lot of discussions, debates, and outright arguments without ever being properly defined. Granted, the idea of belief is a slippery concept to begin with, especially since it is so easily personalized and adapted to fit almost any mindset. In onset of the holiday season, combined with my recent read of The Skeptic’s Guide to the Universe and rewatching Terry Pratchett’s Hogfather, got me thinking about the nature of belief and its place in stories.

As someone who is trying to be a good skeptic and humanist, I’ve developed a weird, slightly uncomfortable relationship with stories about the importance of belief. I read and watch a lot of stories that emphasize how important it is to believe in something fantastic, even if there doesn’t seem to be a good reason or at least nothing solid. Thanks to films like Toy Story, I sometimes feel a twinge of guilt for not playing with my Barbies, dinosaurs, Hot Wheels cars, and My Little Ponies anymore, but I still won’t donate them. I feel like I’d be giving up on them, or that they would feel sad (never mind the fact that they’d probably prefer to be played with!) Dream a Little Dream by Piers Anthony and the film version of The Neverending Story feature worlds and characters whose very existence depends on being believed in by real people, especially children. If that belief fails, they don’t just die… they cease to exist. Being forgotten is worse than death. For someone with a highly active imagination, I think stories like this compounded a bunch of my weird neuroses (which thankfully got used to fuel writing rather than sending me to the loony bin. Although that could still happen…)

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Dangerous Stereotypes: Rebels

I’m going to tackle some stereotypes present in modern fiction that I think are dangerous when used irresponsibly. Any entries part of this series will be labeled as “Dangerous Stereotypes.” You can read previous entries in this series, which discuss the Scientist, Bad Boy, and Alpha Male stereotypes.

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We all love stories about underdogs. We like hearing tales of right and justice and the forces of good beating evil and injustice, no matter what the odds are against them. We like stories about lone wolves who find out the truth about “the system” and fight against it. We love our Rebel Alliances, our Neos, our Team Avatars. We enjoy following the stories of characters who are outgunned but still pull through with cunning, bravery, and a hefty dose of luck. We admire the vigilante characters like Batman, Zorro, and V who uncover the truth or see injustice run rampant and refuse to follow protocol in order to do what is right. We’ve all read those stories, seen those movies and TV shows, played as those video game characters. The fact that we can be outmatched and still come out on top is a heady, even addictive, feeling.

But real life usually doesn’t work out that way.

And sometimes… it shouldn’t.
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