But then the fatigue set in and the stress from external pressures began to mount and so here I am, in the final week of National Novel Writing Month, 8000+ words behind where I should be. A few times the writing has been fun or enjoyable, but mostly its been a slog and I’ve used scraps of “author laments” to pad out the word count enough so that I am updating my word count every day, even if I don’t reach the goal.
Stories are carefully crafted illusions that are supposed to make sense in a way that life does not. Most of the time it’s a simple matter of picking up the book, popping in the DVD, or opening up the comic to start the story. You follow it all the way through to the end, and you’re done (at least until the sequel comes out). However, there are some stories and mediums where the lines are blurred and the entry point for the story is not nearly as obvious. The prime example I can think of is comics.
I’m still pretty new to the world of comics and graphic novels, and they can be really hard to get into. I remember after watching the Marvel film Doctor Strange, I wanted to learn more about the character. But when I went to look up the comics, I immediately faced a major problem: where should I start?
Welcome back everyone! Sorry it took so long to get this next entry to you. I’d gotten really into working on Ravens & Roses during the original day this entry was supposed to be done and didn’t want to derail myself. Then life threw me a family health emergency curveball during the follow-up date, so I’ve been handling that instead of writing. Things are finally calming down and everything is fine, so here we are with the next installment of my “Spoiled By Supplements” blog series. Enjoy!
I think that, once a story gets big enough, it’s inevitable that it will start to creep across mediums. Some of that may be due to creative curiosity, to see what kind of take on the story will come out of the medium. Some of it may be from commercial pressure to reach a wider audience or different niches within a potential audience. There isn’t anything inherently wrong with that. A feature length film has different creative restraints from a novel, which is different from a comic book, and so on. It can be interesting to see how the medium shapes or highlights different aspects of a story or further explores the world within that story. It also makes marketing sense to try to reach as many people as possible, and everyone has different mediums they prefer their stories to be in, so why not satisfy everyone?
The problem is that sometimes it can become too sprawling, too widespread, and too muddled for anyone to follow the story properly, or even access it. This can be a real problem for new or more casual fans.
Whenever I get into a fictional universe, be it books, movies, TV shows, or video games, I dig deep. Those characters with shady or mysterious pasts are the most intriguing; we want to know how they became the person we know now. If you’ve read (and enjoyed) The Symphony of Ages series by Elizabeth Haydon, you probably want to know Achmed’s full backstory more than anything else. We get tantalizing hints, but no more. Tolkien’s book The Silmarillion explores the history of the elves and Middle-Earth in almost excruciating detail. People clamored so much for more stories about Drizzt Do’Urden that R.A. Salvatore gave them the drow ranger’s backstory in the form of The Dark Elf Trilogy. Amazing RPGs like Mass Effect and Dragon Age cover the history of their worlds, the aspects of the places explored there, and the characters you encounter. And isn’t that what a lot of modern RPGs are all about? Exploration? How was this world created? What happened before the story that we see? A good origin story is a fascinating and rewarding journey.
Of course, the key word here is “good.” Not knowing parts of a universe’s history or the origins of a character leads to all kinds of juicy speculation, head canon, and fan fiction. Sometimes the creators even deign to answer those burning questions for us. That’s fine and dandy, but there is a dark side to it. No matter how much I may want to know, “What happened?!” a part of me is always a bit wary when official works drop in to fill the gaps.
Okay, seriously, who keeps making off with all this time? Feels like the year just got started and we’re already on the cusp of 2016! (And from what I’ve heard, this sense of time distortion only gets worse… ugh.)
I am definitely in a better place at the end of 2015 than I was last year. Many of my 2014 goals have been reached, and it feels like I’ve got a better handle on life in general, which is a massive relief! I want to give a huge thank-you to all of my friends, readers, subscribers, and followers. You make this all worth-while.
It’s been a while since I was this obsessed about a show. More than a show; an entire universe spread across many different kinds of media. One of the most appealing aspects of Doctor Who is that it exists in so many forms, allowing for a wide array of stories and expression. And one of the most challenging aspects of Doctor Who is that it exists in so many forms, making it very difficult to track them all down.
I’ll say right up front that I haven’t watched any classic Doctor Who. I really hate watching a series out of order, but since there are 100 episodes missing from classic Who, I was reluctant to dive into the franchise at all. However, my friend Storm Elf assured me that I could start with the 2005 series that introduced the 9th Doctor and I would be fine, since there’s a 16-year gap between classic Who and its reincarnation. We watched the first episode together at Katsucon and later she hosted a Doctor Who viewing for the next few episodes. After that, I went through a lull where I didn’t watch any Doctor Who. But in late September 2013, after listening to several Sapphire and Steel radio plays, I felt in the mood for some more weird time-related stories and decided it was the right time to start up Doctor Who again.