Autumn Updates

Click HERE for the Audio Edition!

autumn-flowers-in-a-book-of-memories_5120x3200

It seems like when I left for my much-needed ocean-side vacation, it was the height of summer with all of the lovely heat and much-despised humidity that entails, but when I returned, fall had arrived.  The cooler temperatures make my morning walk far more pleasant and I love the leaf-smell of the season. (Hopefully this nice weather will last longer than a week.)  So, with the Autumnal Equinox just behind us, I want to take this opportunity to make a few announcements:
.

1) All’s Fair is currently finishing up its second round of beta reading and will soon enter the third round of editing.  Thank you so much to my beta readers for taking on this challenge; I really appreciate it!  I’m hopeful that this time it will not require quite as much revamping as the previous drafts. (Just as long as I don’t have to rip the entire thing apart and reassemble it again…)

2) I’ve simultaneously started to research agents and book publishers who may be a good fit for All’s Fair and projects in the future. The Writer’s Market 2015 is the tool I’m using to start with and I’ll narrow down the field from there. So far I’ve got a decent but not-overwhelming list of prospects, as I’m focusing on those who handle science fiction and fantasy with a special place for those who do so exclusively.  (For All’s Fair, I’ll need to look at those who also handle romance novels, so that’s an additional factor in my deliberations.)

3) National Novel Writing Month is just around the corner and I LOVE their space theme this year! In keeping with said theme, my chosen project will be a story that my dad and I want to collaborate on: Astra’s Revenge. Dad already wrote a short story/novelette version of it and asked me a long time ago to adapt it into a full-length novel. So that will be an interesting challenge.  As a back-up, I’ll probably also work sporadically on my juvenile fantasy novel DragonFriend and my still-unnamed urban fantasy starring my hard-nosed “detective” Karen Mohssey. (I’m calling her a “detective” for now, even though the story isn’t fleshed out enough for me to know exactly what she does yet!)

4) I’m trying to keep up with the Audio Editions and get more of the #ThrowbackThursdays up and running. Unfortunately, due to the time involved, it doesn’t happen with the regularity I’d like to achieve. (It takes about two hours to record and edit an episode with a run time of ten minutes or less.) Also, you may notice that the sound quality of the Audio Editions has changed.  I purchased a new pair of headphones with a mic, so things might sound a bit different, hopefully in a good way. There’s still a lot I don’t know about Audacity, the program I use to record the Audio Editions, so I hope to continue improving!

5) In conjunction with the Audio Editions, I’ve been listening to some podcasts or a (more or less) regular basis.  My current favorites are Let’s Know Things by Colin Wright and The Baltimore Barristers hosted by Alexander Bush and Stephen Caramenico.  Let’s Know Things covers all kinds of topics ranging from perception and bias to cyberspace and suburbia, and the show notes are exceptionally extensive. Plus, Colin does a great job of covering controversial topics with an even hand that explores the positive and negative effects of both sides, which is really refreshing to hear.  The Baltimore Barristers focus on politics, often locally, but many stories have the potential to reverberate nationally.  In addition, they have some absolutely amazing interviews, including Scott Adams (writer of the Dilbert comic strip), Mike Rowe from the TV show Dirty Jobs, and Jack Hunter, editor of Rare Politics.  Both are great podcasts that cover a wide variety of topics in a thorough, engaging fashion; I highly recommend them.

And now, without further adieu, back to the writing.
And editing.
And researching.
And– oh, look, TV!

 

Advertisements

Inspiration vs. Appropriation: Where is the Line?

Click HERE for the Audio Edition!
.
.
There’s a term that’s been popping up a lot lately in regards to story-telling which has caused a great deal of friction online: “cultural appropriation.”  The strict dictionary definition states that: “cultural appropriation is the adoption or use of elements from one culture by members of another culture.”  When you put it like that, it doesn’t sound so bad.  I mean, cultures all over the world have adopted from one another via trade or conquest since the dawn of human history.

But now this term is being seen and used in a completely negative fashion.  Worse, it seems to have no limits or boundaries.  It seems that one can come under fire for celebrating Cinco de Mayo if you’re not Hispanic, wearing Native American costumes (especially the admittedly tasteless and stereotypical Halloween versions) if you are not a Native American, or for wearing cornrows if you are not of African descent.

Those are fairly benign modern examples, although there are more disturbing ones.  Like the wearing of blackface, which was used to reinforce negative stereotypes about blacks to maintain segregation in post-Emancipation America, or Hollywood continuing to cast Caucasians into roles that really should be given to someone else.  (See the controversies over having Matt Damon save the Great Wall of China or casting Scarlett Johansson as the Japanese cyborg Motoko Kusanagi in the upcoming live-action version of Ghost in the Shell.)  So, obviously there is negative cultural appropriation that has happened in the past and continues to happen now.  But where do you draw the line between legitimate concerns and people making a mountain out of a mole hill?
Continue reading