Fluff and Fairies

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I’ve been feeling cold and unmotivated for quite a while, so today you folks get more of a fluff piece than anything really deep or serious.

For National Novel Editing Month in March and the April edition of Camp NaNoWriMo, I’ve been working on a Young Adult (YA) fantasy novel that I’m currently calling “Faylinn,” which is the name of the world in which the story is set. (Like with Rinamathair, the name of the world is the title of the work-in-progress until I find something better.) This is a different experience from my other writing projects because it’s a hybrid. It isn’t being written completely from scratch like Mariner Sequence, but it also isn’t a fan fiction outline that got revamped and then written from scratch. Faylinn is based on an already-complete piece of fan fiction, but I’m swapping out character names and adjusting the plot and world to be its own thing. I am also generating new content, but at the same time, I’m rereading a preexisting piece of work and doing major cuts and rewrites to it. Maybe that isn’t the best project to choose for Camp NaNoWriMo… but I just can’t do Mariner Sequence justice right now. I don’t want to spend all of my writing time on stories that aren’t as near and dear to my heart, but I also know when I’m not in a fit state for a particular story. So, fluff it is.
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The Power of Headcanon

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I recently went to see Black Panther with some friends, and if you haven’t gone yet, you need to reevaluate your priorities because it’s fantastic. *ahem* Anyway… as we were leaving the theater, one friend noted that during the very emotional scenes between T’Challa and his father T’Chaka on the Ancestral Plane, they noticed that T’Chaka had an old (but still very obvious) facial injury.** Since the characters were interacting in a spiritual realm, my friend wondered why this injury was still present since spirits don’t have physical bodies and therefore wouldn’t have those imperfections. Almost immediately, I commented that a person probably couldn’t spend years as King of Wakanda and the Black Panther without suffering some kind of accumulated spiritual damage, which then manifested in the Ancestral Plane. My friends just kind of stared at me and said that I had the strongest headcanon of anyone they’d met.

You see, while that explanation for T’Chaka’s appearance in the Ancestral Plane seemed perfectly reasonable to me, there was nothing in the movie itself to suggest that was the case. My internal headcanon and pulled from all my fictional sources and compiled them into an explanation. Actually, I’d come up with two possible explanations on the spot, one being the accumulated damage from a life of service and suffering. The other was that it was simply T’Challa’s perception of the spirit, giving it a familiar face. Kind of like how Anakin Skywalker’s Force-ghost appeared at the end of Return of the Jedi as a forty-something man rather than as his twenty-year-old self, who would have been completely unfamiliar to Luke. (No, I do not accept the insertion of Hayden Christensen into the remastered editions of Star Wars. There’s some headcanon for you!) Both of these plausible explanations occurred to me within seconds of my friend’s question, and I hadn’t even noticed until they pointed it out.
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The Problem with Paranormal Romance

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I like fantasy. I like paranormal stories. I like the Regency subset of romances. But when a romance is placed in a paranormal or fantastical setting with characters who are not human or only part human, it tends to fall apart. Not all the time, of course, but often enough to irritate me.  Too often the fantasy element becomes a short-handed excuse to get to the sex. Magical explanations cut through a lot of the natural uncertainty, trials, and discomfort that comes with forming and navigating a relationship. It’s an easy out. True love, impossibly orgasmic sex, lack of self control… magic is used to exacerbate romantic myths, justify a lot of shady behavior, and mask unhealthy relationships.

Let me be clear: I am not against having magical or paranormal elements in romances. I’m also not opposed to having romance or sex in fantasy stories. There are all kinds of interesting combinations one can create. I’m also aware that these are indeed fantasies; they are not going to reflect real life. Most don’t even come close. Escapism is nice, and erotica has its place on the bookshelves. The problem arises when magic is used to disguise lazy writing and perpetuate harmful myths.

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DIY MFA Book Club: Prompt #10-12

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The final round! This is the third installment of my  DIY MFA Book Club responses, containing Prompts 10 and 11, plus 12 (which is more of a celebratory note than a prompt, but whatevs.) As I mentioned last time, there was a Prompt #9, but I skipped it because it depends on reading Gabriela Pereira‘s book DIY MFAWhile I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I’m also posting this last set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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DIY MFA Book Club: Prompt #5-8

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Welcome to the second installment of DIY MFA Book Club responses! This round contains Prompts 5-8. There was a Prompt #9 on January 26th, but because it depends on reading Gabriela Pereira‘s book DIY MFA (which I have not read) so I’m skipping that one. While I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I’m also posting the second set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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DIY MFA Book Club: Prompt #1-4

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Being a hermit of the literary kind, I tend to not join things. But I’d enjoyed Gabriela Pereira’s panel “Rock Your Revisions” at the Writers Digest Annual Conference last August and joined the mailing the list for her online newsletter. So I got an email announcing the DIY MFA Book Club starting January 8th. I mulled it over for a while and decided, “Why not?” Get prompts to share stories about writing with other writers? Could be fun! I signed up and got the first prompt on the 8th, the second on January 10th, the third on January 12th, and the fourth on January 15th. While I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I decided to include both the first set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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Bizarre Genre Combinations

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Some people like to party on New Year’s Eve, myself included. However, my idea of a party is plopping down on the couch with a bottle of wine, a pound of fudge, and a stack of anime films on VHS. Yes, my brother Daniel and I went old school for the last day of 2017. And believe me, having a couple glasses of wine makes watching 1990s anime even more hilarious. The previews were a blast even before the feature presentation started. I haven’t actually sat down to watch any anime, new or old, for a while, and a thought struck me during our viewing: anime combines some weird-ass shit.
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Of Prep and Prequels

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The Hundred Days by Geoff Hunt

While most people are excited for the coming of pumpkin spice, winter, or the season premiere of The Walking Dead, I’m looking forward to NaNoWriMo, which begins in (gasp!) only eight days. I’ve been in a bit of a writing funk since April when I finished Courting the Moon, and only nibbled at the edges of projects. But National Novel Writing Month (especially in conjunction with the Legendary Novel Writing Challenge) usually gives me the kick in the pants I need to get back on track.

So, to facilitate this imminent frenzy of vomit-typing, I picked a project that I only have the vaguest idea about: the second book in my planned Mariner Sequence series entitled Seahawks and Storms. Now, even though this is the second book I’m writing in the series, Seahawks and Storms takes place about 600 years before the events of the first book, Ravens and Roses. It will tell the story of the first Admiral of the Mariners, Samuel Tempest, his wife Amaris Seahawk, and the founding of their new home, the land eventually called “Marina.” If you’ve ever read The Blue Sword and The Hero and the Crown by Robin McKinley, you’ll see that the relationship between my two books is in a similar style. Each book can be read as a stand-alone, in publication order, or in chronological order, and should all still make sense. At least, that’s what I’m hoping for.
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Dangerous Stereotypes: The Alpha Male

I’m going to tackle some stereotypes present in modern fiction that I think are dangerous when used irresponsibly.  Any entries part of this series will be labeled as “Dangerous Stereotypes.” You can read previous entries in this series, which discuss the Scientist and Bad Boy stereotypes.

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Every culture has certain expectations of how people are supposed to behave. Sometimes these social rules apply across the board, but others are gender-specific, and this is reflected in our media. While a lot of scrutiny is given to the short stick that women get instead of proper representation in books, films, and video games, less attention has been paid to the toxic masculinity that pervades so much modern media.

John Carter of Mars carrying Princess Dejah Thoris

When you picture the hero of a story, especially in science fiction or fantasy, what do you see? Chances are the kind of man that comes to mind is tall, physically fit or imposing, and who can win a fight with style, even if violence isn’t their first choice. Many are handsome, cocky, reckless, often abrasive, and tend to fill the leadership role with a sense of natural ease. They are almost always heterosexual playboys, exuding a charisma that draws women to their bed and encourages other men to either follow their lead or to become their competitor. Some prime examples of this archetype can be found in Captain Kirk from Star Trek, John Carter from the Barsoom novels by Edgar Rice Burroughs, any incarnation of James Bond, the half-demon Inuyasha from the manga by Rumiko Takahashi, and mythic idols like Thor and Robin Hood. Even heroes who start off shy, awkward, nerdy, or reluctant, like Harry Potter and Peter Parker, eventually become independent leaders and warriors thanks to their adventures. Expressions of emotion, empathy, or sensitivity are often shown as weaknesses to be hidden behind a wall of witty banter, arrogance, or stoicism. It is the stereotypical “Alpha Male” who always comes out on top.

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Not a Legend, Not a Flop – A Review of King Arthur

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Another film review from the Penn-Mar Literary Critics! Many thanks to Avellina for joining me on this venture into Arthurian legend.

Be advised that this entry contains spoilers!


 

I will not pretend that King Arthur: Legend of the Sword was a good movie. It was average at best, mediocre at worst. It managed to be better than Beowulf or Dracula Untold but did not reach the level of Lord of the Rings or Game of Thrones. And yet, to my surprise, I rather enjoyed it.

King Arthur is a popcorn film, a Pacific Rim in the fantasy genre. It focuses on CGI action and glib character moments rather than the deeper tales of good and evil. It has the look of such epic films in many respects, (the production values are quite good) but lacks something vital that keeps it from true greatness. Well, actually, it lacks a lot of things. It’s filled with internal inconsistencies, plot holes the size of Miami, a magic system with no real rules, an over-emphasis on action that looks good rather than what makes sense, gratuitous CGI, inability to really distinguish between characters (especially the women), and a tragic, almost criminal under-use of Jude Law.
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