Grim and Grandiose: The Gothic Novel

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For the last few weeks, I’ve been living in the world of Jane Austen. As of today I have read all of her novels except for Emma, which I’m about halfway through. She is not my favorite 19th century author (that distinction goes to Charlotte Brontë), but I’ve developed a greater appreciation for the literary mastery and elegance of craft that her work exhibits.

However, I will admit that I prefer seeing the film adaptations of her novels, particularly the ones with the screenplay written by Andrew Davies: Pride and Prejudice (1995) with Colin Firth and Jennifer Ehle as Mr. Darcy and Elizabeth Bennet, Northanger Abbey (2007) with J.J. Feild and Felicity Jones as Henry Tilney and Catherine Morland, and Sense & Sensibility (2008) with Hattie Morahan and Charity Wakefield as Elinor and Marianne Dashwood. Right now I’m just a little bit obsessed with Northanger Abbey (and yes, I am totally blaming that on J.J. Feild’s Mr. Tilney.)

An interesting side effect of that obsession was exposure to an area of literature that I had left virtually unexplored up until this point: traditional Gothic novels.
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The Wyrding Way

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Wyrd: a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny.

Wikipedia

 

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Anglo-Saxon symbol for “wyrd”

Few lines make my hackles rise more than hearing, “It is your destiny,” particularly if it is said by some old guy in a black robe. I have some serious issues with the concepts of prophecy, destiny, fate, and Chosen Ones. From a practical standpoint, they are overused tropes and cliches in works of fantasy. Predestination is a lazy cock-and-bull story made to justify plot threads or character motivations. But on a deeper level, the concept is actually rather disturbing. I’m a big believer in free will, so the idea of having everything I have done, am doing, or will do laid out for me with no ability to change it is both creepy and frightening.
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Fluff and Fairies

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I’ve been feeling cold and unmotivated for quite a while, so today you folks get more of a fluff piece than anything really deep or serious.

For National Novel Editing Month in March and the April edition of Camp NaNoWriMo, I’ve been working on a Young Adult (YA) fantasy novel that I’m currently calling “Faylinn,” which is the name of the world in which the story is set. (Like with Rinamathair, the name of the world is the title of the work-in-progress until I find something better.) This is a different experience from my other writing projects because it’s a hybrid. It isn’t being written completely from scratch like Mariner Sequence, but it also isn’t a fan fiction outline that got revamped and then written from scratch. Faylinn is based on an already-complete piece of fan fiction, but I’m swapping out character names and adjusting the plot and world to be its own thing. I am also generating new content, but at the same time, I’m rereading the preexisting piece of work and doing major cuts and rewrites to it. Maybe that isn’t the best project to choose for Camp NaNoWriMo… but I just can’t do Mariner Sequence justice right now. I don’t want to spend all of my writing time on stories that aren’t as near and dear to my heart, but I also know when I’m not in a fit state for a particular story. So, fluff it is.
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The Power of Headcanon

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I recently went to see Black Panther with some friends, and if you haven’t gone yet, you need to reevaluate your priorities because it’s fantastic. *ahem* Anyway… as we were leaving the theater, one friend noted that during the very emotional scenes between T’Challa and his father T’Chaka on the Ancestral Plane, they noticed that T’Chaka had an old (but still very obvious) facial injury.** Since the characters were interacting in a spiritual realm, my friend wondered why this injury was still present since spirits don’t have physical bodies and therefore wouldn’t have those imperfections. Almost immediately, I commented that a person probably couldn’t spend years as King of Wakanda and the Black Panther without suffering some kind of accumulated spiritual damage, which then manifested in the Ancestral Plane. My friends just kind of stared at me and said that I had the strongest headcanon of anyone they’d met.

You see, while that explanation for T’Chaka’s appearance in the Ancestral Plane seemed perfectly reasonable to me, there was nothing in the movie itself to suggest that was the case. My internal headcanon and pulled from all my fictional sources and compiled them into an explanation. Actually, I’d come up with two possible explanations on the spot, one being the accumulated damage from a life of service and suffering. The other was that it was simply T’Challa’s perception of the spirit, giving it a familiar face. Kind of like how Anakin Skywalker’s Force-ghost appeared at the end of Return of the Jedi as a forty-something man rather than as his twenty-year-old self, who would have been completely unfamiliar to Luke. (No, I do not accept the insertion of Hayden Christensen into the remastered editions of Star Wars. There’s some headcanon for you!) Both of these plausible explanations occurred to me within seconds of my friend’s question, and I hadn’t even noticed until they pointed it out.
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The Problem with Paranormal Romance

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I like fantasy. I like paranormal stories. I like the Regency subset of romances. But when a romance is placed in a paranormal or fantastical setting with characters who are not human or only part human, it tends to fall apart. Not all the time, of course, but often enough to irritate me.  Too often the fantasy element becomes a short-handed excuse to get to the sex. Magical explanations cut through a lot of the natural uncertainty, trials, and discomfort that comes with forming and navigating a relationship. It’s an easy out. True love, impossibly orgasmic sex, lack of self control… magic is used to exacerbate romantic myths, justify a lot of shady behavior, and to mask unhealthy relationships.

Let me be clear: I am not against having magical or paranormal elements in romances. I’m also not opposed to having romance or sex in fantasy stories. There are all kinds of interesting combinations one can create. I’m also aware that these are indeed fantasies; they are not going to reflect real life. Most don’t even come close. Escapism is nice, and erotica has its place on the bookshelves. The problem arises when magic is used to disguise lazy writing and to perpetuate harmful myths.

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DIY MFA Book Club: Prompt #10-12

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The final round! This is the third installment of my  DIY MFA Book Club responses, containing Prompts 10 and 11, plus 12 (which is more of a celebratory note than a prompt, but whatevs.) As I mentioned last time, there was a Prompt #9, but I skipped it because it depends on reading Gabriela Pereira‘s book DIY MFAWhile I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I’m also posting this last set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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DIY MFA Book Club: Prompt #5-8

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Welcome to the second installment of DIY MFA Book Club responses! This round contains Prompts 5-8. There was a Prompt #9 on January 26th, but because it depends on reading Gabriela Pereira‘s book DIY MFA (which I have not read) so I’m skipping that one. While I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I’m also posting the second set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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DIY MFA Book Club: Prompt #1-4

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Being a hermit of the literary kind, I tend to not join things. But I’d enjoyed Gabriela Pereira’s panel “Rock Your Revisions” at the Writers Digest Annual Conference last August and joined the mailing the list for her online newsletter. So I got an email announcing the DIY MFA Book Club starting January 8th. I mulled it over for a while and decided, “Why not?” Get prompts to share stories about writing with other writers? Could be fun! I signed up and got the first prompt on the 8th, the second on January 10th, the third on January 12th, and the fourth on January 15th. While I have posted answers to these prompts in DIY MFA’s Facebook group “Word Nerds Unite,” I decided to include both the first set of prompts and slightly more in-depth answers here on The Cat’s Cradle:

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Bizarre Genre Combinations

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Some people like to party on New Year’s Eve, myself included. However, my idea of a party is plopping down on the couch with a bottle of wine, a pound of fudge, and a stack of anime films on VHS. Yes, my brother Daniel and I went old school for the last day of 2017. And believe me, having a couple glasses of wine makes watching 1990s anime even more hilarious. The previews were a blast even before the feature presentation started. I haven’t actually sat down to watch any anime, new or old, for a while, and a thought struck me during our viewing: anime combines some weird-ass shit.
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Of Prep and Prequels

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The Hundred Days by Geoff Hunt

While most people are excited for the coming of pumpkin spice, winter, or the season premiere of The Walking Dead, I’m looking forward to NaNoWriMo, which begins in (gasp!) only eight days. I’ve been in a bit of a writing funk since April when I finished Courting the Moon, and only nibbled at the edges of projects. But National Novel Writing Month (especially in conjunction with the Legendary Novel Writing Challenge) usually gives me the kick in the pants I need to get back on track.

So, to facilitate this imminent frenzy of vomit-typing, I picked a project that I only have the vaguest idea about: the second book in my planned Mariner Sequence series entitled Seahawks and Storms. Now, even though this is the second book I’m writing in the series, Seahawks and Storms takes place about 600 years before the events of the first book, Ravens and Roses. It will tell the story of the first Admiral of the Mariners, Samuel Tempest, his wife Amaris Seahawk, and the founding of their new home, the land eventually called “Marina.” If you’ve ever read The Blue Sword and The Hero and the Crown by Robin McKinley, you’ll see that the relationship between my two books is in a similar style. Each book can be read as a stand-alone, in publication order, or in chronological order, and should all still make sense. At least, that’s what I’m hoping for.
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