The Scrutiny of a Thousand Eyes

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I am not quite sure how to broach this topic. On the one hand, I think it is a legit concern. But on the other hand, it also sounds like privileged whining. I’ll leave it up to you to decide which it is, if the truth lies somewhere in between, with both, or with neither.

I’ve been having trouble working on Seahawks and Storms. I wrote the requisite 50,000 words for NaNoWriMo 2017, but most of it is poorly written garbage. I’m not feeling or hearing the characters like I should or have for other projects. And for the life of me, I couldn’t figure out why. I know I haven’t spent as much time with Samuel and Amaris as I have with Ryn and Scion. But even then I had something to work with. Now I just sit and stare and pull them through motions that don’t feel real. As I wrote, they were becoming less and less fleshed out rather than more. At this point, I’ve pretty much shelved the project and moved on to another.

Then I remembered something I saw at WDC 2017. There was a project going on at the conference called “Vulnerability is Sexy.” There was a wall of black paper and a submission box. You could write a secret on a slip of paper, put it in the box, and then artists from the project wrote the secret on the wall in an artistic, illustrated way, kind of like an illuminated manuscript. When it was done, you could see all of these secrets without ever knowing who they belonged to. Many of the secrets resonated with me, but one in particular stood out:
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Post-NaNo Crash

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Hi folks! Just a short entry today. You know how most people end up in a turkey-coma after Thanksgiving? Me, I’m in a post-NaNo coma. I reached my word count goal for National Novel Writing Month (see Log #328 on my LeNoWriCha blog for details) but feel like I didn’t accomplish very much. Almost every word was a battle, and I’m not sure if it was because the story was fighting me, or because I just didn’t feel well. And, go figure, I haven’t worked any more on Seahawks and Storms since November 30th.

Okay, okay, I know, that really isn’t too bad. A few days to get my wind back from a well-deserved break. It is nice to be able to watch a movie again without feeling like I’m wasting valuable writing time. (After all, I still need to consume stories to feed my subconscious.) And I did do some writing this evening (by hand no less!) although it was not related in any way, shape, or form to Seahawks. But I must be vigilant and resist the urge to coast again, like it seems I’ve been doing for months.

Although NaNoWriMo refers to January and February as the “Now What?” months where revision takes place, I feel like it can begin sooner, depending on where you are in a project. Seahawks is still too new and unsteady to withstand editing, and I’m struggling to keep focused on writing rather than on all of the pressure towards publication that seems to have paralyzed me. So, the plan is to organize the prose that I do have into some kind of rough chronological order, reread previous notes, and do some research that I feel will help me get a better handle on what the hell is (or should be) happening. But most of all, I need to find my way back into that headspace that allows me to play and relax with my stories rather than twisting them into a predetermined shape with an eye to the future. Neither the past nor the future exist. There is only now… and words.


Blues in Week 3

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Week 3 of National Novel Writing Month has begun, and, as always around this time, I’m feeling kind of wrung out with the entire enterprise. Buckling down and pounding out words for a rough draft isn’t exactly new for me. I can’t say that it’s always been easy, but it can be done. I know because I’ve done it before. I did it for (most of) Ravens and Roses, the first book in the Mariner Sequence. I did it for my Dark Crystal novel contest entry, “Search of the Sun-Child.” I did it for the fantasy / romance / steampunk / political intrigue hybrid that is Courting the Moon.

So why is Seahawks and Storms giving me so much trouble?
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Of Prep and Prequels

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The Hundred Days by Geoff Hunt

While most people are excited for the coming of pumpkin spice, winter, or the season premiere of The Walking Dead, I’m looking forward to NaNoWriMo, which begins in (gasp!) only eight days. I’ve been in a bit of a writing funk since April when I finished Courting the Moon, and only nibbled at the edges of projects. But National Novel Writing Month (especially in conjunction with the Legendary Novel Writing Challenge) usually gives me the kick in the pants I need to get back on track.

So, to facilitate this imminent frenzy of vomit-typing, I picked a project that I only have the vaguest idea about: the second book in my planned Mariner Sequence series entitled Seahawks and Storms. Now, even though this is the second book I’m writing in the series, Seahawks and Storms takes place about 600 years before the events of the first book, Ravens and Roses. It will tell the story of the first Admiral of the Mariners, Samuel Tempest, his wife Amaris Seahawk, and the founding of their new home, the land eventually called “Marina.” If you’ve ever read The Blue Sword and The Hero and the Crown by Robin McKinley, you’ll see that the relationship between my two books is in a similar style. Each book can be read as a stand-alone, in publication order, or in chronological order, and should all still make sense. At least, that’s what I’m hoping for.
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Draft Completed!

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Oh my gosh, I am so excited that I don’t know where to begin.  I guess the title of this entry says it all: I’ve actually completed a draft of a novel!  Yep, All’s Fair (AFiLaW) is the first one.  While I’ve spent a lot of time working on Ravens and Roses and have called each stage its own “Draft,” that story is still missing pieces of it and therefore should probably not be titled as such.  But that’s just splitting semantic hairs, so moving on!

I hammered out the plot and characters for All’s Fair in October 2015 and started writing on November 1, 2015.  As of January 31, 2016, I have a complete story ready for beta reading.  Wow.  That’s 170 pages written in 92 days.  There aren’t any gaping holes that need to be filled in or scenes that haven’t been written.  Obviously things may be adjusted, dropped, or added during the editing process, but you can actually read it from beginning to end.  I’m still a little stunned at this; the only other complete novel-length stories that I have finished are fan fiction.  (Yes, I know, I need to get back to “Nakishojo.”)  And those took me years to complete!  The fastest I’ve ever written was for the Dark Crystal Author Quest back in 2013, which took three months, but was still not really complete.  Not like All’s Fair.

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