Tag: Gothic

Ode to October

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October.

Time to read

the stories of Ray Bradbury,

the poetry of Edgar Allan Poe,

and the novels of Daphne du Maurier.

October.

Time to watch anime like

Soul Eater,

Hellsing,

and Black Butler.

October.

Time to see TV shows like

Dark Shadows,

The Addams Family,

and The Twilight Zone.

October.

Time to revisit films like

Young Frankenstein with Gene Wilder,

The Raven with Vincent Price,

and the work of Alfred Hitchcock.

October.

Time to listen to music by

The Rasmus, HiM,

and Nightwish.

October.

Time for sweaters, scarves, and hot soup,

for shadows, smoke,

and morning mist.

October.

Time to curl up under blankets

with cats and cups of hot chocolate

mixed with Baileys Irish Cream.

October.

Time that is in two places at once,

the month that is both eight and ten,

Julian and Gregorian.

October:

Time to celebrate the things that go bump in the night

and try, oh so convincingly, to pretend

we are not afraid of the dark.

Grim and Grandiose: The Gothic Novel

Audio Edition Coming Soon!

For the last few weeks, I’ve been living in the world of Jane Austen. As of today I have read all of her novels except for Emma, which I’m about halfway through. She is not my favorite 19th century author (that distinction goes to Charlotte Brontë), but I’ve developed a greater appreciation for the literary mastery and elegance of craft that her work exhibits.

However, I will admit that I prefer seeing the film adaptations of her novels, particularly the ones with the screenplay written by Andrew Davies: Pride and Prejudice (1995) with Colin Firth and Jennifer Ehle as Mr. Darcy and Elizabeth Bennet, Northanger Abbey (2007) with J.J. Feild and Felicity Jones as Henry Tilney and Catherine Morland, and Sense & Sensibility (2008) with Hattie Morahan and Charity Wakefield as Elinor and Marianne Dashwood. Right now I’m just a little bit obsessed with Northanger Abbey (and yes, I am totally blaming that on J.J. Feild’s Mr. Tilney.)

An interesting side effect of that obsession was exposure to an area of literature that I had left virtually unexplored up until this point: traditional Gothic novels.
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