There’s a reason I’m not usually a pantser. Mostly it’s because I write myself into a corner. But it’s also because I hate feeling like I’m being inaccurate, even when it’s just the first draft. Or I just hate feeling like I’m floundering about, retreading old tropes, taking the easy way out.
Spells in Sepia (SiS) is tackling a lot of new ground for me, and it might be more than I can handle. I’m trying to just let go and write, but at the same time, I feel like I’m missing a lot of narrative opportunities, directions, and ideas because I don’t know enough about what I’m writing.
Unlike most of my other projects, this is an urban fantasy, so it’s supposed to take place in the real world. Our real world. For the most part, anyway. But there are a few hitches: Time, Place, and Character Career.
Hi everyone! Yes, a random bonus entry in the middle of the week because I’m actually really excited about NaNoWriMo this year and want to keep up the momentum. I’m trying to get everything ready so I don’t have a bunch of loose ends hanging over my head on November 1st. Which means I’ve been cleaning and organizing while trying not to get sidetracked by episodes of Sapphire & Steel or by the cuteness of my kitties:
So, to keep myself on track and accountable, here is my goal sheet for National Novel Writing Month 2019. (Note that a “session” consists of writing at least 500 words.)
Top Priority:Spells in Sepia (NaNaWriMo 2019 project – urban fantasy novel)
Write 1,667 words daily (or as much as I can and make up for the shortfalls on other, more productive days)
Limit social contact (mostly meaning don’t talk to anyone before writing is done or I get derailed)
Get up at 7am daily (although I have no idea how I’ll pull this off since I’ve been having trouble getting up even by 8am)
Exercise Sunday-Friday (mostly light weights since the weather’s gone cold, but I’ll try to work some swimming in)
Saturday = rest day (I give myself permission to veg out and do whatever I want, even if that means not writing)
Complete chores regularly (meaning do the dishes right after I dirty them so they don’t pile up)
Update LeNoWriCha Logs @ 10pm (do I’m sure my writing is done for the day and can go to bed)
Limit social media (so I don’t spend all my time at home being distracted by the internet)
1 small (7 oz) can of Dr. Pepper during each writing session
1 small (fun-size) bag of peanut M&Ms for completing each writing session
Final reward for completing the month: binge-watching Good Omens!
This is a project for FUN! Don’t overthink it!
On The Radar:
Write With Focus:
Keep up with bi-weekly Cat’s Cradle entries
Be ready to continue writing or start editing in December
Read With Purpose:
Photography techniques (especially forensic)
Build Your Community
Check HUB weekly
Check NaNo site/forums weekly
Write at Writers Mastermind on Mondays
Write at Waldo’s on Wednesdays (not sure if I’ll do this or not)
Write at “Come Write In” at library on Fridays
To all my fellow writers this November… good luck! Tally-ho!
Being an English major is a little of a running gag in my family. Out of all my siblings, I have the highest level of education and (so far) the most years in school. Yet I also make the least amount of money and have the lowest expectation of career advancement. Usually it’s just good-natured teasing, the way one expects from siblings. I indulge in it myself from time to time, but even my self-deprecating humor has taken on a sharper edge. As the years roll on, it just doesn’t seem funny anymore.
I recently read an opinion piece in the Wall Street Journal entitled, “Is Majoring in English Worth It?” The contents were pretty much what I’d expected: a half-mocking look at how the value of an English degree has declined dramatically even as the cost of college exponentially increases, making it “the most regretted college major in America.” But I hadn’t expected the intense wave of bitterness that swept over me, a deep sense of resentment that something I spent six years, thousands of dollars, and untold amounts of stress attaining, a skill that I am good at, can be summarily dismissed as the butt of a bad joke.
So, like a good little Millennial, I shared some of my frustration on social media:
I got some sympathetic faces in response, which was about all I had expected. But then my friend David asked a very poignant question:
“If you had a time machine, what would you do differently?”
It was very strange to leave home all green and summery, going to the beach where it was a balmy 80 degrees and sunny, and then coming back home to find the leaves all yellow and orange with the scent of autumn in the air. This season has grown on me; I used to despise it because fall meant it was time to go back to school. While I still don’t like the cold, I can appreciate autumn much better now. Plus, as a compulsive hoarder of blankets, mugs, and sweaters, I can now put them to good use!
I didn’t get much writing done on vacation, but that’s okay. I actually had to remind myself multiple times that, being on vacation, I could do what I wanted to do rather than what I felt I should do. It’s a little depressing how many times I had to tell myself that. Still, I got about half a stack of books read, enjoyed the sun and surf, and came home to relax and play and review a bunch of otome game demos before returning to my day job.
One of my goals, however, was to decide what project I should work on for National Novel Writing Month 2019.
The trope is endemic to fantasy literature. Especially middle grade and YA fantasy literature. How many times have we gone through the old song and dance of a single person who is “special,” who feels like an outsider or doesn’t fit in, and turns out to have special powers or is the long-lost heir to the fairy throne or some other trite nonsense that hangs the fate of the world on the decisions of a single hormonal teenager? (Nostalgia Critic’s review of Percy Jackson and the Lightning Thief covers a lot of the issues with this trope of “Wowed Teenagers” quite nicely.)
Now, to be fair, a lot of people do connect with this base character type, and as long as the story does something interesting with it, there’s nothing inherently wrong with the trope. For people just discovering works featuring that character type, it’s something new and unfamiliar to them. For people like me who have read a lot of fantasy and see the same tropes and cliches turn up over and over again without much variation, it can be a little grating. To each there own, of course, and I would prefer to see more variation. But a lot of people, especially those in the middle grade and YA audience, do feel like outcasts and want to be reminded that they to can be something special. It can be inspiring for them and help them discover their own talents.
But there’s a Dark Side to this emphasis on being a special, super-powered Chosen One. It can help reinforce two very unfortunate mental states: Magical Thinking and Delusions of Grandeur.
All writers have heard the adage “Show, don’t tell.” It’s one of the most ambiguous and frustrating pieces of writing advice I have ever received. After all, writing is all about words. How can you “show” something when the only way to communicate is by “telling” the reader what’s happening? You’re also supposed to make sure something is always happening to move the scene forward. You don’t start in a static or simple moment. You have to begin with a bang to get the reader’s attention! Where’s your momentum, people?
Now, I get what this advice is trying to say. “Show, don’t tell” encourages writers to not just give a play-by-play of the scene, a “Then she did this and then he said that and then they went here” style of story-telling. That’s acceptable for a four-year-old telling a story, but not for a novelist. You’re supposed to make it more dynamic, fluid, and engaging. And starting with a bang isn’t literal, but to avoid the cliche of having a character wake up in the morning or monologue to themselves. The devil, as always, is in the details of how exactly to do this.
It’s easy to then fall into the trap of thinking that these are iron-clad rules which cannot for the love of all that is literary be broken. Rules are useful as a framework, but it’s always nice to see how the rules can be bent or outright broken and still leave you with an engaging story. Enter the Foreigner series by C. J. Cherryh.
I’m sitting on the front porch in a set of “I Love Coffee” pajamas, basking in the summer warmth. The wrens bring food to their babies nesting in one of the hanging flowerpots. (They are surprisingly loud for such little birds.) A copy of Robert Heinlein’s The Moon Is A Harsh Mistresssits on a stool beside me, the bookmark nestled almost a quarter of the way through. It has been a quiet, lazy kind of day, and I dread returning to my day job tomorrow morning. Feels like I could use a few more days like this to just…chill. Reorganize. Reboot.
It’s good to remember that we are walking meatbags subject to all kinds of influences, both within and outside of our control, and that it isn’t a good idea to make decisions when feeling emotional extremes.
I say this because I’ve been feeling cranky and irritable for the last week or so, beating myself for being a lazy writer, a bad friend, a horrible housemate, and pretty much every other nasty piece of self-loathing I could hurl at myself… only to wake up on Saturday and realize that all of it was most likely due to PMS.
And that scared me a little. As I’ve gotten older, the PMS mood swings have gotten worse. Fifteen years ago, I would get a little achy, a little tired, but that was about it. Now it’s risen to “I-hate-everyone-and-everything-don’t-you-dare-talk-to-me-or-I’ll-rip-your-face-off” levels. If I don’t remember to count the days, it can be easy to mistake this regular hormonal change for a flare-up of depression or some other more serious issue.
Fortunately, I didn’t have any major decisions I had to make during this past week… but what if I had? I have no control over what my hormones do and the effects have gotten more extreme, so I have to be careful to not let mood swings lead me about by the nose.
I’m fortunate that, once the monthlies actually hit, the depressive mood disappears. I was especially fortunate this time to have a nice, quiet, sunny weekend spent on the front porch reading Songs of Giants: The Poetry of Pulp illustrated by Mark Wheatley and The Nice and Accurate Good Omens TV Companion while downing cups of tea and chocolate sea salt caramel ice cream. Days where I can proceed at my own (admittedly slow) pace without being pressured by outside forces are rare, and I desperately wish I had more of them.
But the moral of this story is that we are physical creatures with a lot going on, both internally and externally, that can affect us in ways we may not be aware of. Since we artistic folk are especially neurotic, we have to pay even more attention and make sure that the decisions we make are based on rational thought rather than our easily influenced, mind-altering gut.
Now, back to the July Edition of Camp NaNoWriMo. I’ve got a book to finish.
It’s very difficult to know how, or even if, a story will affect you.
We think we know what we like and why we like it, but a lot of the time we actually don’t. Sometimes you pick up something you think you will like, something that you should like, and it leaves little to no impression on you. Perhaps you even dislike it! By all accounts, I should love Game of Thrones. It has high fantasy, political intrigue, complex characters, and dragons. And yet I have never warmed up to it. Other times you pick up something on a lark and are surprised to find out much it moves you, how deeply it sinks into your psyche and plays upon your heartstrings. How was I to know that tagging along with my friends to the theater on May 4, 2012 would send me careening head-first into the world of Marvel comics and superheroes?
Love does not equal romance. Or at least, it doesn’t always equal romance. It certainly is part of the traditional story-telling formula, but love can be present between characters that isn’t the romantic kind.
Generally, love gets shown in two ways in stories. It’s either the aforementioned Romantic Love (the one that usually involves sex, kissing, etc.) or Familial Love (between mothers/fathers and their children or between siblings). The Greeks had words for seven different types of love, but love can come in so many shades of meaning and permutations of expression that I doubt there are names for them all. But the point I’m trying to make is that when we use the word “love” it can apply to far more than the Traditional Two of Romance and Family.