Author Highlight: Charles Dickens

This past weekend I decided to watch BBC’s 2008 rendition of  “Little Dorrit” (screenplay adaptation by Andrew Davies).  I watched all 14 half-hour episodes in one night, and, the next day, went back and watched them all again.  I have never read the book, but after watching this, I want to.  In fact, I’m going on a Dickens kick right now thanks to “Little Dorrit.”

I’ll admit right now that I haven’t read a great deal of Dickens, although I can assure you that he wrote far more and far better works than A Christmas Carol.  I’ve been various film and TV adaptations of his work, and frankly, I prefer watching a good adaptation than trying to read the books.  Why?  Because I’m a modern reader spoiled by modern writers and I rarely have the patience to try to wade through Victorian English prose.  Don’t get me wrong, there are a lot of lovely pieces of dialogue and description in Dickens but it was written for another people in another era and was originally released in serial format to readers.  Their form of television episodes, basically, so the style and language is very different from what I’m used to.  Maybe when I’m older I will be able to appreciate Dickens’ craft better than I do now.

Either way, if you get a good writer like Andrew Davies to update the language just enough to make it accessible and to cut out the dense prose in between the action…then you’ve got one hell of a show.

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"There Will Never Be Another…"

I think everyone has a special show.

I say “show” as in a TV show, but really, it can be a single book or a trilogy or an entire series, a movie, a comic, anything that tells a story.  Everyone has a story that is very precious to them, characters that are near and dear to their heart, a tale that takes their breath away.  Over the years, I’ve had several stories that affected me deeply, stories that I come back to every year that remain fresh and new and alive, no matter how many times I’ve read or watched them.

For my Dad, that would be the old cartoon series Rocky and Bullwinkle.  For me…well, I’ve had a few, most notably the original Star Wars trilogy, Joss Whedon’s sci-fi TV show Firefly, the wonderful blend of the best of American and Japanese animation that is Avatar: The Last Airbender, every Toy Story movie, the anime series Yu Yu HakushoThe Coldfire Trilogy by C.S. Friedman, The Bard’s Tale: Castle of Deception by Mercedes Lackey and Josepha Sherman, and, oddly enough, Elvenborn, the third book in The Halfblood Chronicles by Andre Norton and Mercedes Lackey.

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A Few Words on Character Deaths

PLEASE NOTE:  

This entry may contain spoilers!  Proceed at your own risk.

I recently watched the anime Mobile Suit Zeta Gundam and loved it.  The story was interesting, the characters engaging, even the secondary characters (a trait the early Gundam shows are famous for), and a great mix of comedy and melodrama.  I followed the characters on their journey, through trials, tribulations, daring plans, narrow escapes, joys, sorrows, and maturation through 48 amazing episodes.  Then, the final episodes 49 and 50….everything fell apart.  Within those two episodes, half the cast was killed off and one was left alive, but rendered absolutely flippin’ insane.  And the story ends.  Just like that.  No time for me or the survivors to mourn, just stare at the rolling credits going, “What?!  That’s it?!”

I sent a text to my friend Fullmetal, who had lent me the series, that said:  “Well.  I just finished watching Zeta Gundam. The show was AWESOME…up until the last two episodes.  Those last two sucked.  An unresolved cop-out!”

His response:  “But everyone dies.”

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Everything Old Is New Again: How Not To Be Afraid of Clichés

Cliché.  Perhaps the most dreaded word in the history of writing.  The last thing any writer wants to hear about their work is, “This story is so unoriginal.  It’s riddled with clichés!”

The dictionary definition of a cliché is:

  1. a trite, stereotyped expression; a sentence or phrase, usually expressing a popular or common thought or idea, that has lost originality, ingenuity, and impact by long overuse, such as “sadder but wiser,” or “strong as an ox.”
  2. (in art, literature, drama, etc.) a trite or hackneyed plot, character development, use of color, musical expression, etc.
  3. anything that has become trite or commonplace through overuse.

It’s a word, phrase, stereotype, character type, or even storyline that is way, way, WAY overused.  I’ve heard some people accuse Shakespeare of using too many clichés.  Little do they realize that he came up with half of the expressions that were so witty and original at the time that everyone wanted to use them until society got sick of them.

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The Benefits of Fan Fiction

Fan fiction has a bad reputation on the Internet.  It’s usually looked down upon as a pass-time of rabid fangirls living out their fantasies with or between their favorite characters.  Poor spelling, poorer grammar, Mary Sues, and slash abound.

I’m not saying that fan fiction doesn’t have these elements because I’ve seen enough to know it exists.  What I am saying is there is a lot more to fan fiction than just that.

I used to think that fan fiction was the last resort for people who couldn’t write.  A cop-out for people who weren’t original enough, creative enough, or talented enough to be “real writers.”  Ironically, no one had defined fan fiction or even explained it to me at that point, so I had only the vague image of teenagers with no lives mangling someone’s characters because they couldn’t make their own.  What I didn’t realize was that I had been creating fan fiction ever since I could read.  I just didn’t know that’s what I’d been doing.

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