While the New Year gives us a measurable marker for change and the passing of time, it doesn’t fundamentally mean anything. The calendar may have changed, but we have not. I’ve overloaded myself before with grandiose plans and meticulous lists that end up crushing me and coming to naught. That’s pretty depressing and I really don’t need any more of that right now. With the pandemic and unsettled political climate still raging, I can’t expect the chronic, low-level stress and anxiety to go away with the turn of a page.
If I learned anything from the agonizing months spent editing Courting the Moon, it’s that by the end of it you’ll have tossed out pretty much everything from the original draft (or two…) and have essentially started over from scratch. And it seems that I have to do the same thing with my YA fantasy novel Faylinn… only much earlier in the process.
In the Character Module of DIY MFA 101,Gabriela postulates that, even if there are many characters of great importance, there is actually only one protagonist in a story. Of course there are exceptions, but this tends to be the rule. My first inclination was to reject this statement. After all, almost every one of my stories has a pair of central main characters: Ryn and Scion for Ravens and Roses; Samuel and Amaris for Seahawks and Storms; Nathaniel and Shakti for Courting the Moon; Asa and Tal for Faylinn; and Melyin and Ciar (see-are) for Rinamathair. Continue reading “The Heart of the Story”→