Outlines and Inspirations

HAPPY PECULIAR PEOPLE DAY!  Yes, today, January 10th, is the annual celebration of the peculiar people in your life!  (If you’re like me, then this is the perfect excuse to dress in as many insane, non-matching articles of clothing as possible.)  Hope all of you have a wonderfully peculiar day!

Okay, back to the serious writing stuff.  Like outlines and such.  ^_^

There seem to be two major “schools” of the writing process:  those who outline and those who don’t.  I’ve heard the arguments for and against both sides of this amiable conflict.  Outliners like the sense of direction and control that outlining gives them, establishing a sense of order and importance to the story and combating the dreaded writers block.  Free-writers like the sense of mystery, evolution, and surprise that comes from just sitting down to write with nothing more than a general idea.  They like the spontaneity, the twists and turns in both plot and character that take them places they didn’t expect.  Outliners accuse free-writers of being too flighty, spending time on areas that may be fun but aren’t conducive to the plot which wastes time or sitting staring at a blank screen because they’ve written themselves into a corner.  Free-writers claim that outliners are too stuffy and rigid, suffocating their stories with the weight of outlines and predetermined outcomes that lack true originality.

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The Importance of Editing

Welcome to the New Year!  I hope everyone had a very fun (and safe) holiday; I know I did.  I’m particularly excited about 2012 because it’s the Year of the Dragon, and, being a Dragon, I’m supposed to have a lot of good luck!  Here’s hoping….

And now we return you to your regularly scheduled writing rant.  (Writer’s Rant.  I like that!)

Today’s topic is editing and editors.  Editors get a bad rap.  I have a book of quotations for writers and all of the quotes that deal with editors are negative.  As an editor myself, that makes me sad and a trifle defensive.  Editors are portrayed as butchers who callously rip the heartfelt masterpiece of the artist to shreds without any regard for the heart and soul of the story or the feelings of its creator.

To an extent, they are right.

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Motivation

Well, here we are at my last blog entry for the Year 2011.  I really can’t believe how fast the year has flown!  It seems like only yesterday (even though it was six months ago) I decided to start this weekly writing blog.  Many thanks to everyone who has read, shared, commented on, and hopefully enjoyed my entries!

This entry is about motivation.  Not writer motivation, although that’s very important (see “10 Ways to Get Inspired” for more details), but character motivation.

In a well-written tale, the characters are the ones who are driving the story.  Their actions and reactions to events should be natural, make sense, and push the action forward.  Poor writers make this careful manipulation look obvious, forced, or irrational.  Good writers make it appear seamless and reasonable.  Even if a character behaves in a seemingly irrational manner, there is a solid explanation for it or circumstances that force the character to make a choice that they ordinarily would not make.

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Turning Wheels and Changing Tides

“Most writers are in a state of gloom a good deal of the time; they need perpetual reassurance.”
— John Hall Wheelock 

 It’s been an interesting year.  November and the beginning of December 2011 have been particularly rough months.  I’ve undergone a lot of changes, some for better, some for worse, and some…I don’t even know yet.  Maybe those I’ll figure out a little farther down the line.

These past few weeks I’ve been suffering from depression and some serious mental lapses.  (As in, “I forgot to go clean that house today” kinds of mental lapses.  Which is bad when half of my income is from cleaning.)  And while I don’t think I’m clinically depressed, I haven’t been very chipper either.  I feel like…I’ve lost my place in the world…or found out that I never actually had a place to begin with.  I haven’t felt like a writer, a reader, or an otaku…just a failure.  Yeah, it’s all very strange and muddled and I’m hoping that some of the bright spots that have happened within the past few days will pull me out of this grey tide back into a place where I’m content, even if I’m not happy per se.

I do think that, on this, the eve of the Winter Solstice, I have reached one of those turning points, thanks to my friend and fellow writer, Foxglove Zayuri.  

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Magical Theory and Practice: Part 3

This being the third part of a discussion on the creation of magical systems in fantasy. 

Here is the last question I usually ask when creating a magical system.  (I couldn’t think of any more that didn’t involve interlinking the previous questions or involving aspects of the others.)  Please note that you are not limited to the questions listed here.  You are welcome and highly encouraged to come up with more questions to answer, to continue to expand the scope of your inquiries.  The more questions to ask and subsequently answer, the more complete and well-knit your world will be.

WHAT IS THE PRICE OF MAGIC?     

This is perhaps the most interesting part of the magical equation, and the one that can make it the most unique.  A lot of people have a very dim view of what magic is, assuming that it’s a dues ex machine that just sweeps in and makes all the boo-boos better.  If it’s a poorly written fantasy, then they’d be right.  But we don’t want to write bad fantasy, do we?  So, you need to put some thought into what the price of magic is.

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Magical Theory and Practice: Part 2

This being the second part of a discussion on the creation of magical systems in fantasy. 

Here are the next three questions that I usually ask when creating a magical system.  Please note that you are not limited to the questions listed here.  You are welcome and highly encouraged to come up with more questions to answer, to continue to expand the scope of your inquiries.  The more questions to ask and subsequently answer, the more complete and well-knit your world will be.

WHAT KIND OF MAGIC IS IT?

There are numerous kinds and forms of magic and more are made every day.  These are a few of the most common, and they can be melded in various interesting ways:

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Magical Theory and Practice: Part 1

This being the first part of a discussion on the creation of magical systems in fantasy. 

I usually answer these first three questions when I start creating a magic system:  who can use magic, where the magic comes from, and the world’s views on magic.  These can help define your setting and at least some of the major conflicts your characters may encounter.  Please note that you are not limited to the questions listed here.  You are welcome and highly encouraged to come up with more questions to answer, to continue to expand the scope of your inquiries.  The more questions to ask and subsequently answer, the more complete and well-knit your world will be.

WHO CAN USE MAGIC?

Is magic something that can be learned through study, like music or mathematics?

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Magical Theory and Practice: Introduction

Magic is the guiding principle upon which fantasy is based.  It is the defining literary facet that differentiates fantasy from other genres.  Now, I’m sure there are several of you who will come up with examples of books that are labeled fantasy, but have little or no magic (such as Anne McCaffrey’s Pern novels.  Rest in peace, Ms. McCaffrey.  You will be sorely missed.)  I acknowledge that there are exceptions to every rule.  However, when most people think of fantasy, they are picturing wizards, elves, dragons, and, most importantly, magic.

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FCs vs. OCs

In the world of writing on the internet, there are two terms that are often used interchangeably but are actually quite different.  Those two terms are “FCs” and “OCs.”

“FC” stands for “fan character.”  A fan character is a character that is created for fan fiction.  The character itself may be a completely new creation on the part of the fan fic writer, but the universe that this character is being placed in was NOT created by that writer.  For example, in my Fruits Basket fan fic “Crane Dancer,” I have an FC named Tsuru Odoriko.  She is not part of the Fruits Basket canon, or even a side character.  She is entirely my own creation, but the universe and other characters she interacts with were made by Natsuki Takaya, the author of Fruits Basket, not me.  Thus, Tsuru is an FC.  An FC can be well-developed and able to stand proudly or it could be a blatant self-insert or overly-perfect Mary Sue.  A Mary Sue is a specific kind of FC, a character that is so overly perfect or powerful that they do not feel like a real, flawed human being.  I know that some of my own FCs like Lyra Whitefall Palgrave started out as Mary Sues, but I’ve been working to correct that, to make FCs like her less powerful and perfect and more like real people.  Self-inserts can be over-idealized versions of the author dropped into the story.  Many amateur fan fic writers do this because they lack practice creating characters.   (“Mary Sue, Mary Schmue” by Birde Williams is an excellent article about the proliferation of Mary Sue characters in fan fiction.)

“OC” stands for “original character.”  A lot of times FCs are incorrectly referred to as OCs since the FCs themselves are “original” within the context of the fan fic.  However, there is a distinction.  OCs are characters created for a world that the authors has also had a hand in creating.  For example, Irene and Matthias are OCs because they were created by me for my own story Astral Rain.  Any character that you create for your own worlds are your OCs.  Obviously OCs can run the gambit of cardboard to three dimensional with their own mix of Mary Sues and author-self-inserts.  A writer has a lot more work to do with OCs since they have to create the world as well as the characters and be sure that everything makes sense.  Sometimes FCs can even become OCs.  In my Harry Potter fan fic “Sundered Blood,” I have an FC named Samantha Halfward.  Right now she is an FC because I created her for the Harry Potter universe.  However, since I like Samantha, her background, and other creations that I made for her story so much that I’m planning on eventually giving Samantha her own universe to play in.  If I do it right, Samantha will transition from a fan character to an original character.

Regardless if your character is an FC or an OC, equal care should be taken in their creation and execution throughout your story.  One is not inherently better or worse than the other, although keep in mind that the tales of OCs can be published for money but the tales of FCs cannot.

 

"There Will Never Be Another…"

I think everyone has a special show.

I say “show” as in a TV show, but really, it can be a single book or a trilogy or an entire series, a movie, a comic, anything that tells a story.  Everyone has a story that is very precious to them, characters that are near and dear to their heart, a tale that takes their breath away.  Over the years, I’ve had several stories that affected me deeply, stories that I come back to every year that remain fresh and new and alive, no matter how many times I’ve read or watched them.

For my Dad, that would be the old cartoon series Rocky and Bullwinkle.  For me…well, I’ve had a few, most notably the original Star Wars trilogy, Joss Whedon’s sci-fi TV show Firefly, the wonderful blend of the best of American and Japanese animation that is Avatar: The Last Airbender, every Toy Story movie, the anime series Yu Yu HakushoThe Coldfire Trilogy by C.S. Friedman, The Bard’s Tale: Castle of Deception by Mercedes Lackey and Josepha Sherman, and, oddly enough, Elvenborn, the third book in The Halfblood Chronicles by Andre Norton and Mercedes Lackey.

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